Magazine advertisement for the film “International Squadron” (1941)

Identifier
irn693068
Language of Description
English
Alt. Identifiers
  • 2018.590.74
  • 2018.595
  • 2019.236
  • 2019.239
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

Overall: Height: 11.125 inches (28.258 cm) | Width: 8.125 inches (20.638 cm)

Creator(s)

Biographical History

The Cinema Judaica Collection consists of more than 1,200 objects relating to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical subjects, from 1923 to 2000, from the United States, Europe, Israel, Canada, Mexico, and Argentina. The collection was amassed by film memorabilia collector Ken Sutak, to document Holocaust-and Jewish-themed movies of the World War II era and the postwar years. The collection includes posters, lobby and photo cards, scene stills, pressbooks, trade ads, programs, magazines, books, VHS tapes, DVDS, and 78 rpm records. Sutak organized these materials into two groups, “Cinema Judaica: The War Years, 1939–1949” and “Cinema Judaica: The Epic Cycle, 1950–1972” and, in conjunction with the Hebrew Union College-Jewish Institute of Religion Museum (now the Dr. Bernard Heller Museum in New York), organized exhibitions on these two themes in 2007 and 2008. Sutak subsequently authored companion books with the same titles.

Archival History

The advertisement was donated to the United States Holocaust Memorial Museum in 2018 by Ken Sutak and Sherri Venokur.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Ken Sutak and Sherri Venokur

Scope and Content

Magazine advertisement for the American feature film, “International Squadron,” released by Warner Bros. Pictures in October 1941. The film tells the story of a young American pilot who ferries a warplane to Great Britain. After surviving a bombing by the Germans, the pilot volunteers for the Royal Air Force (R.A.F.). His recklessness during a patrol leads to the death of another member of the R.A.F., and later selfishness leads to the death of a close friend. He then volunteers for a dangerous mission, but is shot down and killed on his return trip. The film is based on the real-life “Eagle Squadrons” that consisted of Americans who volunteered for the R.A.F. before the United States entered World War II. This became a hot topic in Hollywood, and Darryl Zanuck, the producer of the 20th Century-Fox film “A Yank in the R.A.F.” accused Warner Bros. of stealing his idea, and threatened legal action. The technical advisor for “International Squadron,” Byron Kennerly, had himself been a member of an Eagle Squadron and later served in the U.S. Army Air Forces. During the filming, technicians from Warner Bros. traveled to Britain to film aerial skirmishes and an air raid in London. This object is one of more than 1,200 objects in the Cinema Judaica Collection of materials related to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical themes.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

Restrictions on use. Copyright status is unknown.

Physical Characteristics and Technical Requirements

Black-and-white, single page advertisement, removed from a magazine. The top half of the page features three small images, arranged diagonally from the top left corner towards the bottom right. The images include three waving pilots in flight suits, a man and a woman leaning towards each other, and a pilot giving a thumbs-up from the cockpit of a plane. Next to each image is a short slogan. The bottom half of the page has one large paragraph of text, spanning the width of the page, above two columns of film credits and advertising copy. The back of the advertisement consists of an advertisement column on the left and two columns of bullet points above a photograph on the right. Depicted: Ronald Reagan as Jimmy Grant, Olympe Bradna as Jeanette, Tod Andrews as Michele Edmé, others unidentified.

People

Corporate Bodies

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.