Set of six lobby cards for the British film, “Mr. Emmanuel” (1944)

Identifier
irn692942
Language of Description
English
Alt. Identifiers
  • 2018.590.125
  • 2018.595
  • 2019.236
  • 2019.239
Level of Description
Item
Languages
  • English
Source
EHRI Partner

Extent and Medium

.1: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

.2: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

.3: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

.4: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

.5: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

.6: Height: 11.000 inches (27.94 cm) | Width: 14.000 inches (35.56 cm)

Creator(s)

Biographical History

The Cinema Judaica Collection consists of more than 1,200 objects relating to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical subjects, from 1923 to 2000, from the United States, Europe, Israel, Canada, Mexico, and Argentina. The collection was amassed by film memorabilia collector Ken Sutak, to document Holocaust-and Jewish-themed movies of the World War II era and the postwar years. The collection includes posters, lobby and photo cards, scene stills, pressbooks, trade ads, programs, magazines, books, VHS tapes, DVDS, and 78 rpm records. Sutak organized these materials into two groups, “Cinema Judaica: The War Years, 1939–1949” and “Cinema Judaica: The Epic Cycle, 1950–1972” and, in conjunction with the Hebrew Union College-Jewish Institute of Religion Museum (now the Dr. Bernard Heller Museum in New York), organized exhibitions on these two themes in 2007 and 2008. Sutak subsequently authored companion books with the same titles.

Archival History

The lobby cards were donated to the United States Holocaust Memorial Museum in 2018 by Ken Sutak and Sherri Venokur.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Ken Sutak and Sherri Venokur

Scope and Content

Set of six lobby cards for the British film, “Mr. Emmanuel,” released in the United Kingdom in October 1944, and in the United States in January 1945. Lobby cards are promotional materials placed in theater lobby windows to highlight specific movie scenes, rather than the broader themes often depicted on posters. “Mr. Emmanuel” was based on a 1939 novel of the same name, written by Louis Golding. The film centers on a Jewish man who had become a naturalized British citizen and travels to prewar Nazi Germany to search for the mother of an orphaned boy. While there, he winds up in a concentration camp. He is eventually released with the help of the daughter of an old friend, who is the mistress of an ambitious Nazi officer. Shortly after the film premiered in the United States, the Soviet army liberated the Auschwitz camp complex on January 27, 1945. Although “Mr. Emmanuel” depicts the title character in a camp, it paled in comparison to the horrific conditions and experiences of actual victims shown in the news and video footage. This object is one of more than 1,200 objects in the Cinema Judaica Collection of materials related to films about World War II and the Holocaust as well as Jewish, Israeli, and biblical themes.

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

Restrictions on use. Copyright status is unknown.

Physical Characteristics and Technical Requirements

.1 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features two uniformed Nazi officers inside a police station, holding an older man firmly by the arms. The older man is looking at a fourth man, behind a desk covered in papers and a fingerprinting kit. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is slightly discolored, and there is ink transfer from another image on the back. Depicted: Felix Aylmer as Isaac Emmanuel, others unidentified .2 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features an older man sitting at the bedside of a young boy. The man is leaning slightly forward with his hand on top of the boy’s, and resting on a yellow blanket. The boy is wearing a striped nightshirt and has his head turned, looking away from the man. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is slightly discolored, and there is ink transfer from another image on the back. Depicted: Felix Aylmer as Isaac Emmanuel, Peter Mullins as Bruno .3 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features an older man talking with two young men inside a home library. The older man is wearing a long, dark coat, while the young men are wearing matching yellow shirts with brown collars. The older man is on the right, in left profile, with his hand on the shoulder of the boy in the center. The boy in the center is looking at the boy on the left, who is in right profile and speaking. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is discolored, especially along the left edge. There is faint ink transfer from another image on the back. Depicted: Felix Aylmer as Isaac Emmanuel, others unidentified .4 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features four female stage performers in various costumes in a backstage area. A group of three women, two in blue dresses and one in a tight leotard with feathered shoulders, are standing a tight group at the base of a short flight of stairs. The fourth woman, in a long, copper-colored gown, stands on the stairs and looks off to the right. Behind her are two uniformed Nazi officers guarding the door. On the floor, next to the stairs are stacked baskets and bundles. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is slightly discolored, and there is ink transfer from another image on the back. Depicted: Greta Gynt as Elsie Silver, others unidentified .5 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features a man and woman sitting on a bed with a pink-colored bedspread. On the left, the man is wearing a blue Nazi uniform with a gold braid and epaulette. He is looking at the woman, who is wearing a light blue, lace dress and looking down at papers in her hands. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is discolored, especially along the left edge. There is ink transfer from another image on the back. Depicted: Walter Rilla as Willi Brockenburg, Greta Gynt as Elsie Silver .6 Lobby card printed on rectangular, off-white paper with a large photographic image in the center, a wide margin on the left edge, and a narrower margin on the other three. The image features a scene inside a dinner theater with ornate curtains, a chandelier, and other ostentatious decorations. The stage, in the background of the image, on which a woman is performing in a copper-and-black-colored dress and holding a feathered fan in her hand. In front of the stage is a pit orchestra and director. On the other side of the orchestra, the audience is sitting at round tables with white tablecloths. Cutting into the image in the bottom left corner is a triangular projection from the margin, containing the film title and credits printed in black, red, and blue. Within the wide, left margin is a green silhouette of a man in a hat and long coat. Printing information is in blue in the bottom right margin. The paper is discolored, especially along the left edge. There is faint ink transfer from another image on the back. Depicted: Greta Gynt as Elsie Silver, others unidentified

People

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.