Westerbork transit camp voucher, 50 cent note

The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.

Werner Löwenhardt (1919-2006) was born in Dortmund, Germany to Adolf (1883-1944) and Julia (nee ten Brink, 1890-1944) Löwenhardt. He had one older brother, Heinz (1913-1989). Adolf’s large extended family also lived in Dortmund, while Julia’s family lived in the Netherlands. Adolf and his eight brothers served for Germany in World War I, and after being wounded, he was awarded the Iron Cross Second Class for his distinguished service as a medic. Adolf was a butcher in Dortmund, and while he was serving in the war, Julia ran the shop and took care of Heinz. Following World War I, Dortmund was occupied by French forces until 1927. Both Heinz and Werner attended the public elementary school across the street from their home. After primary school, both brothers attended the Hindenburg Gymnasium, a local secondary school that included the study of French, Latin, Greek, and English. On January 30, 1933, Adolf Hitler was appointed chancellor of Germany by President Paul von Hindenburg. Under Hitler, authorities quickly began suppressing the rights and personal freedoms of Jews, and boycotting their businesses. In March, the boycott of Jewish businesses reached Dortmund. By August, Adolf and Julia were forced to sell their butcher shop to a non-Jew. Adolf was able to continue working as a meat distributor in the city’s slaughterhouse. Despite the increasing antisemitism in Dortmund, Werner’s family was never personally attacked. Like his father, Heinz was apprenticing to become a butcher, which he fully qualified for in April 1935. Antisemitism and restrictions continued to grow, and that September, the Nazis announced the Nuremberg laws, which excluded Jews from citizenship and prohibited them from marrying or having relations with non-Jews. Heinz moved to Enschede, Netherlands, where he worked in the Jewish butcher shop run by an aunt and uncle. Shortly afterwards, Werner wrote to the same aunt, asking if he could work for her as a draftsman. On November 2, 1935, Werner joined his brother, aunt, and uncle in Enschede, a town located close to the German border. He soon moved out on his own, and found work with the lithography and printing company, C. Kappers while working on his own independent projects. In 1936, Werner began taking an evening course at the local craft school and took lessons from a painter, Gerard van Haeften. Adolf and Julia left Germany in the summer of 1936, settling in Goor, Netherlands. They joined their sons in Enschede in 1938. Enschede had a well-organized Jewish community of 1400 when Germany invaded the Netherlands on May 10, 1940. Under German occupation, the Netherlands became subject to the Nuremburg laws; restrictions continued to tighten, and antisemitism grew. In March 1941, Werner was required to register as a Jew with the city administration. That same year, the German authorities began forcing Jewish men into labor camps, and in April 1942, Dutch Jews were required to start wearing a yellow Star of David. Heinz and his fiancée went into hiding in Almelo, a town about 30 kilometers from Enschede, where they remained for the duration of the war. In August 1942, Adolf and Werner were imprisoned in ‘t Schut labor camp, where they had to do heavy earth work. On October 3, the laborers of ‘t Schut were transferred to Westerbork transit camp. Although Julia had the opportunity to go into hiding, she chose to reunite with Adolf and Werner, and they were later joined by much of their extended family. In Westerbork, Werner met siblings Lilo and Paul Hirsch, his future wife and brother-in-law. At the time, Westerbork was under the authority of a German commandant, but effectively run and supplied by the Jewish Community. Consequently, the living conditions were better than many other camps. They had schools, medical care, and some cultural outlets such as a theater and an orchestra. Inmates could occasionally purchase small supplies from the camp canteen, but extra food was not available. The names for the weekly deportation lists were selected at random, but those with official positions in the camp’s administration, such as Werner, were somewhat protected. Using his art skills, Werner got a job as one of four men in the commandant’s statistics office, where he drew statistical charts and figures. In 1944, Werner created a logo for Westerbork’s industrial department, which the German administration used for a new camp currency. He was given a bicycle and a pass to leave the camp to complete drawings of the local area and of the field service. Werner met and learned from other artists and photographers interned in Westerbork. While Werner’s position in the commandant’s office kept him off the deportation lists, the safety did not extend to the rest of his family. On April 21, 1943, Adolf and Julia were deported on transport XXIV.1 to Theresienstadt ghetto-labor camp in German-occupied Czechoslovakia. A few months later, a group of young people, including Werner, was given the option to join their parents. Werner chose to stay in Westerbork. Adolf and Julia were imprisoned in Theresienstadt until October 9, 1944, when they were both deported on transport Ep to Auschwitz-Birkenau killing center in Poland. They were both killed upon arrival. In early April 1945, the Germans abandoned Westerbork ahead of the arrival of Allied forces. Werner was among 876 inmates liberated by the Canadian army on April 12, 1945. The Dutch Military Authority took charge of the camp, and the prisoners were forced to remain there for a few more months. Germany surrendered to the Allies on May 7, 1945. Werner was finally released from Westerbork on June 30, and returned immediately to his home in Enschede. After the war, he settled in Amsterdam, started his own advertising studio, and founded an advertising archive. Werner married Lilo Hirsch (1923-2012) in 1947 and they had a daughter, Anita, who would later become chairwoman of the Dutch Auschwitz Committee.

The scrip was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.

United States Holocaust Memorial Museum Collection, Gift of the Katz Family

Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.