Cartoon of a jockey eyeing his watch bought from a Jewish peddler
Extent and Medium
overall: Height: 10.125 inches (25.718 cm) | Width: 7.625 inches (19.368 cm)
Creator(s)
- Peter Ehrenthal (Compiler)
- Joseph Lisle (Artist)
- Berthoud & Son (Publisher)
Biographical History
The Katz Ehrenthal Collection is a collection of more than 900 objects depicting Jews and antisemitic and anti-Jewish propaganda from the medieval to the modern era, in Europe, Russia, and the United States. The collection was amassed by Peter Ehrenthal, a Romanian Holocaust survivor, to document the pervasive history of anti-Jewish hatred in Western art, politics and popular culture. It includes crude folk art as well as pieces created by Europe's finest craftsmen, prints and periodical illustrations, posters, paintings, decorative art, and toys and everyday household items decorated with depictions of stereotypical Jewish figures.
Archival History
The aquatint was donated to the United States Holocaust Memorial Museum in 2016 by the Katz Family.
Acquisition
United States Holocaust Memorial Museum Collection, Gift of the Katz Family
Funding Note: The cataloging of this artifact has been supported by a grant from the Conference on Jewish Material Claims Against Germany.
Scope and Content
British antisemitic cartoon published in 1828, showing a man inspecting a watch he just bought from a Jewish peddler. The cartoon was drawn by Joseph Lisle, a British caricaturist, satirical artist and printmaker. Peddlers were itinerant vendors who sold goods to the public. They usually traveled alone and carried their goods with them as they went. Peddling was a common occupation for young Jewish men during the 18th and 19th centuries. Most peddlers hoped their hard work would serve as a springboard to more lucrative and comfortable occupations. However, old prejudices formed an antisemitic stereotype of the Jewish peddler. The stereotype originated from the economic and professional restrictions placed on early European Jews. They were barred from owning land, farming, joining trade guilds, and military service. These restrictions limited Jews to the occupations of retail peddling, hawking, and moneylending. Additionally, medieval religious belief held that charging interest (known as usury) was sinful, and the Jews who occupied these professions were looked down upon, predominantly by European Christians. They were perceived as morally deficient and willing to engage in unethical business practices. The inability of Jews to legally hold other occupations, combined with Christians’ disdain for the professions Jews were allowed to practice, helped form the canard of the greedy Jew who exploited Gentiles. This canard was often visually depicted as a Jewish peddler, an untrustworthy figure that sold cut rate items at inflated prices. This aquatint is one of the more than 900 items in the Katz Ehrenthal Collection of antisemitic artifacts and visual materials.
Conditions Governing Access
No restrictions on access
Conditions Governing Reproduction
No restrictions on use
Physical Characteristics and Technical Requirements
Color aquatint of an oversized man in the foreground with chubby cheeks and a broad nose dressed as a jockey with a black derby, loose shirt, pale red breeches, and riding boots. He stands on a dirt road with a whip on the ground at his heels and part of a horse visible behind him. He holds up to his eyes and looks at a pocket watch that he likely purchased from a peddler in the middleground who walks past a milestone block in left profile. He carries a large bag, has stereotypical Jewish features, including a large nose and pointy beard, and smirks while thumbing his nose. In the background are dark clouds and, on the right, a small barn. A caption is printed in a panel at the bottom.
Subjects
- Jews in art.
- Stereotypes (Social psychology) in art.
- Jews--Great Britain--19th century--Pictorial works.
- Jewish peddlers--Pictorial works--19th century.
- London (England)
Genre
- Cartoons (Commentary)
- Art
- Object