Percy Brand papers

Identifier
irn562011
Language of Description
English
Alt. Identifiers
  • 2006.133.4
  • 2006.133.1
  • 2009.297.1
Dates
1 Jan 1920 - 31 Dec 2003, 1 Jan 1945 - 31 Dec 1985
Level of Description
Item
Languages
  • Hebrew
  • Yiddish
  • English
Source
EHRI Partner

Extent and Medium

boxes

oversize boxes

oversize folder

book enclosures

2

2

1

6

Creator(s)

Biographical History

Perec Brandt (later Percy Brand) was born on April 2, 1908, in Liepāja, Latvia, to a Jewish couple, Abram and Basia Brandt. He had one sister named Mary, and at least one brother, Carpel. He began playing the violin at the age of ten. He married Sara Behrmann and they had two children, Judith Basya, born on November 22, 1930, and Mendel, born on August 8, 1933. The family lived in Riga, where Perec was the concertmaster of the Riga Latvian Symphony Orchestra. In August 1940, the Soviet Union annexed Latvia. In spring 1941, Germany attacked the Soviet Union and, by July 1941, Riga was occupied by German forces. SS Einsatzgruppen units [mobile killing units], assisted by the local population, rounded up and shot thousands of Jewish Latvians who were unable to work, especially children, women with small children, the elderly, and the ill. Perec’s wife and children were among those taken and murdered. Perec was forced into labor, stripped of his possessions, except his violin, and moved into the Riga ghetto, which was sealed soon after. Later, Perec met and married a Czechoslovakian woman named Margit Stransky Rekler, who had been deported from Vienna, Austria, to Riga in January 1942. In August 1943, he was sent to Riga-Kaiserwald concentration camp. In October, Perec was deported to Stutthof concentration camp near the German occupied city of Danzig. On August 16, 1944, he was transported to Buchenwald concentration camp in Germany, where he was assigned prisoner number 82321. Perec kept his violin with him during the transports, and in each camp it was confiscated and then returned to him. In Buchenwald, the commandant summoned him daily to play for him and rewarded him with bread, meat, and coffee. From late November 1944 to early January 1945, Perec was very sick and needed to be hospitalized. On April 11, 1945, the 6th Armored Division of the US Army marched into Buchenwald, several hours after the prisoners took control by storming the guard towers and forcing the guards to flee. Perec weighed 50 pounds at liberation. On May 7, Germany surrendered. In June, Perec joined the Kibbutz Buchenwald, a training farm affiliated with a nearby displaced persons camp in Fulda, Germany, which was preparing survivors for immigration to Palestine. Perec later learned that in August 1944, Margit had been deported to Stutthof and Sophienwalde concentration camps near Danzig, where she perished. Perec regularly performed for survivors in various displaced persons camps. In January 1946, he went to the Zeilsheim DP camp. In 1947, he became the first musician to play Jewish and Hebrew music on the Frankfurt am Main radio. At this performance he met Grunia Lewin (Levine, 1919 – 2008) who was also from Liepāja, and a survivor of Dondangen II, Stutthof, and Mühldorf concentration camps. They married and she went to live with him in the Zeilsheim DP camp. Grunia became his manager as he performed in many DP camps. Gertrude’s great uncle, Harry Marcus, agreed to sponsor the couple, and in February 1949, they immigrated to the United States aboard the SS Marine Jumper. They settled in Boston, Massachusetts, where Grunia changed her name to Gertrude and Perec to Percy Brand. Percy had a successful career as a well-known musician and radio and television performer. Gertrude continued to serve as his manager. Percy, age 77, died on August 8, 1985, in Brookline, Massachusetts.

Archival History

United States Holocaust Memorial Museum

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Gertrude Brand and the Estate of Gertrude and Percy Brand

United States Holocaust Memorial Museum Collection, Gift of Gertrude Brand

The collection was donated to the United States Holocaust Memorial Museum by Gertrude Brand in 2006. A separate collection donated by the Estate of Gertrude and Percy Brand in 2009. The collections were unified in 2017.

Scope and Content

The collection documents the life and musical career of Percy (Perec) Brand, a violinist originally from Liepāja, Latvia, who was imprisoned in the Kaiserwald, Stutthof, and Buchenwald concentration camps during the Holocaust. The material primarily relates to his post-war life in the Kibbutz Buchenwald and Zeilsheim displaced persons camps, as well as his musical career in Roxbury, Massachusetts. Included are biographical materials, sheet music, programs, photographs, and audio recordings. The biographical material includes an address book, clippings, a small amount of correspondence, his obituary, and a scrapbook of his career. The sheet music consists of printed and handwritten scores. It is likely that the bulk if not all of the printed sheet music are previously published compositions. The programs include events performed in post-war Germany and the United States. Also included are publicity materials. The photographs include depictions of pre and post-war family members, Zeilsheim, Percy and his wife Gertrude, and Percy’s performances. The photograph albums primarily document Percy’s life in the DP camps. The audio recordings consist of audio cassettes of Percy’s performances. Some appear to recorded radio broadcasts also featuring Ben Gailing, a contemporary of Percy.

System of Arrangement

The collection is arranged as four series. Series 1: Biographical material, 1946-1995 Series 2: Sheet music, and programs, circa 1940s-1967 Series 3: Photographs, 1920-2003 Series 4: Audio recordings, 1970-1999 and undated

Conditions Governing Reproduction

Copyright Holder: Gertrude Brand

People

Corporate Bodies

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.