Embroidered floral silk handkerchief case given to one inmate by another inmate in Liebenau

Identifier
irn49359
Language of Description
English
Alt. Identifiers
  • 2012.407.1
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 7.500 inches (19.05 cm) | Width: 6.625 inches (16.828 cm)

Creator(s)

Biographical History

Eva (Eve) Erika Lasch was born on June 4, 1929, in Prague, Czechoslovakia, to a Catholic mother Anna Lasch and a Jewish father. Eva was raised Catholic. In October 1938, Nazi Germany annexed the Sudetenland border region of Czechoslovakia. In the Munich Pact, the major European powers, not including Czechoslovakia, agreed to this exchange for a promise of peace from Hitler. In March 1939, Hitler broke the Pact and occupied the Bohemia and Moravia provinces where Prague was located. Eva’s father escaped to the United States. Sometime after July 7, 1943, Eva was imprisoned in Liebenau concentration camp in Germany. Liebenau was established by the Germans to hold noncombatant civilian and diplomatic enemy nationals, chiefly female and from the United States and Great Britain, as prisoners of war. As a POW camp, it was visited by the Red Cross which supplied the inmates with food and supplies. Eva was likely released during a prisoner exchange at the camp. She was in a refugee camp in Switzerland prior to her departure from Marseille, France, aboard the ship Gripsholm. She and her mother Anna arrived in the US on February 21, 1945. In 1951, Eve married Joseph Drazen. The couple had three sons and lived in Chicago. She later married George Whyte in 1973. Eve died on January 6, 1981, in California.

Evelyn V. Anderson was born in 1907 in Philadelphia, Pennsylvania. By age eighteen, Evelyn had appeared as a chorus girl in shows by Eubie Blake and Noble Sissle. In 1925, she was performing at the Smile-a-While Inn in Asbury Park, New Jersey, when Caroline Reagan invited her, the saxophonist Joe Hayman, and the band leader Claude Hopkins to join a revue she was creating to tour Europe. Evelyn agreed and became part of the “Black Birds” dance troupe that performed with Josephine Baker in “La Revue Negre.” The show premiered in Paris in October and was a popular sensation. Evelyn would sometimes be referred to as Evelyn Hayman because of her relationship with the saxophonist. The revue was appearing in Berlin in March 1926 and was scheduled to go to Moscow, when Baker broke her contract and left for the Folies Bergere. They had been in Europe five months and many of the cast were stranded. As Evelyn remembered later, they had been having too good a time to save any money. Joe Hayman joined a touring band led by two German brother names Siegel. Evelyn remained in Europe where, for the next fifteen years, she performed in revues and night clubs. In May 1940, Nazi Germany occupied the Netherlands. At the time, Evelyn was dancing in a cabaret at the Zuid in The Hague, with a partner, Harry Watkins. Harry, and other American male performers were arrested as enemy aliens in 1941. Evelyn and several other women friends were arrested a little later and interned in Holland. Evelyn then was sent to Ilag V Liebenau concentration camp in Germany. Liebenau was established by the Germans to hold noncombatant civilian and diplomatic enemy nationals, chiefly female and from the United States and Great Britain, interned as prisoners of war. As a POW camp, it was visited by the Red Cross from which Evelyn was able to obtain lipstick, perfume, and face powder, as well as coffee and food. It was on the grounds of a former mental hospital staffed by nuns and Evelyn lived in the convent with her friend Ida Johnson and Ida’s two children. She was released in March 1944 with twelve African American male prisoners, including Freddy Johnson, Ida’s husband, and several other musicians as part of a prisoner exchange for Allied held German inmates. Evelyn returned to the US aboard the Swedish ship, the SS Gripsholm. She settled in Philadelphia and married the band leader Robert (Riff) Robbins. She died, age 87, in Philadelphia in October 1994.

Archival History

The handkerchief case was donated to the United States Holocaust Memorial Museum in 2012 by Victoria Wolf on behalf of Patrick Drazen, the son of Eve White.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of Victoria L. Price Wolf

Scope and Content

Embroidered floral silk handkerchief case given to 15 year old Eva Lasch by Evelyn Anderson when both women were imprisoned in Liebenau internment camp in Nazi Germany circa 1943-1944. Liebenau chiefly held noncombatant civilian and diplomatic enemy nationals, chiefly female and from the United States and Great Britain, classified as prisoners of war. Eva was originally from Prague, Czechoslovakia, which was occupied by Germany in March 1939. In February 1945, she arrived in the US on the Gripsholm with her mother Anna. Her father, who was Jewish, had escaped there earlier. Evelyn, who was African American, arrived in Europe in 1925 with the "Black Birds" dance troupe to appear with Josephine Baker in La Revue Negre. Evelyn was arrested as an enemy alien around 1942 in The Hague in Nazi occupied Holland where she was appearing in a cabaret. Evelyn was released in March 1944 with twelve male African American POWs as part of a prisoner exchange for Allied held German inmates. She returned to the US aboard the Swedish ship, SS Gripsholm.

Conditions Governing Access

No restrictions on access

Physical Characteristics and Technical Requirements

Rectangular, hand sewn cloth pad that is folded in half to create a case. The exterior layer is made from orange silk cloth embroidered with green leaves and purple, pink, and orange flowers and butterflies. The interior layer is soft orange cloth. The cloth is sewn together around foam padding. A strand of light green twisted cord is sewn around the edges, with decorative corner loops. A connected strand of cord is sewn vertically across the center. The cord is looped into a bow in the center of the short side edges with a loose strand of cord for a tie closure. There are open seams and signs of wear. The measurements are for the closed case.

Subjects

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.