Five Cities

Identifier
irn1002131
Language of Description
English
Alt. Identifiers
  • 2000.621.1
  • RG-60.2663
Dates
1 Jan 1938 - 31 Dec 1939, 1 Jan 1939 - 31 Dec 1939
Level of Description
Item
Languages
  • Yiddish
Source
EHRI Partner

Creator(s)

Biographical History

In 1938 and 1939, Shaul and Yitzhak Goskind of Warsaw-based Sektor Films produced six short films about urban Jewish communities in Poland. One, about Łódź, is lost. The other five-on Bialystok, Cracow, Lwow, Vilna, and Warsaw-have survived and are now called "Five Cities." These low-budget 35mm films were made for Landsmanshaften groups in America for fundraising purposes. On the eve of war, the Goskinds sent the films to Joseph Seiden, the prolific director in New York who distributed Yiddish newsreels and feature films in the US and Europe.

In 1938 and 1939, Shaul and Yitzhak Goskind of Warsaw-based Sektor Films produced six short films about urban Jewish communities in Poland. One, about Łódź, is lost. The other five-on Bialystok, Cracow, Lwow, Vilna, and Warsaw-have survived and are now called "Five Cities." These low-budget 35mm films were made for Landsmanshaften groups in America for fundraising purposes. On the eve of war, the Goskinds sent the films to Joseph Seiden, the prolific director in New York who distributed Yiddish newsreels and feature films in the US and Europe.

Scope and Content

Notes taken from NCJF documentation: This rare film document captures the spirit of Jewish life in pre-World War II Vilna. Lively narration and music accompany film sequences of people engaged in the rituals and realities of daily existence at work, at play, in the synagogue, and in school. Vilna's famous landmarks-the Strashun Library, Shnipeshiker Cemetery and the YIVO Institute-are among the film's highlights.

Note(s)

  • Duplicate footage exists on Film ID 242, Story 2482.

Subjects

Places

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.