Watercolor and ink drawing

Identifier
irn102671
Language of Description
English
Alt. Identifiers
  • 2012.483.12
Level of Description
Item
Source
EHRI Partner

Extent and Medium

overall: Height: 3.661 inches (9.299 cm) | Width: 5.906 inches (15.001 cm)

Creator(s)

Biographical History

Leo Yeni was born on January 7, 1920 in Milan, Italy, to Jewish parents, Isak and Pia Della Torre Yeni. Isak was born November 18, 1869, to Juda Samuele and Miriam Guadalia Yeni in Saloniki, Greece. Pia was born on April 17, 1889, to Egisto and Palmira Bondi Della Torre in Livorno, Italy. Leo was raised in Milan. In 1938, Mussolini ceded to German pressure and instituted anti-Jewish racial laws in Italy. That October, Leo had to leave high school at the Institute Israelites. His father lost his job as an office worker and his mother supported the family by cooking meals for friends. In 1942, they had to leave their home and move, with only a few belongings, to an apartment. In 1943, following the Axis surrender in Africa in May and the Allied landings in Sicily in July, the Fascist Grand Council issued a vote of no confidence in Mussolini's leadership on July 25, 1943, and Mussolini was arrested. On September 8, the new government under Badoglio unconditionally surrendered to the Allied Forces. Soon after this, Nazi Germany occupied central and northern Italy, where Milan was located. The German SS took over the police functions and began preparations to deport the Jewish residents in Italy to Auschwitz concentration camp in Poland. In October and November, the Germans conducted round-ups of Jews in Milan and other major cities. In fall 1943, Leo and his family fled north to the mountains near Varese, close to the Swiss border. His family decided that Leo should escape into Switzerland. He was apprehended and interrogated by the Swiss Police at the border and denied entry. With the aid of smugglers, he tried again. He was arrested and detained in a military cell in Lugano as an illegal alien. After reviewing his papers, a Swiss Captain told Leo that he was accepted as a refugee and he was interned in a detention camp. Leo was held in Unterwalden (Bellinzona), Plenterplatz in Zurich, and Lajoux in the Jura Bernoise. Through HIAS (Hebrew Immigrant Aid Society) and the Red Cross, Leo was able to contact a maternal relative, Rene Della Torre in the United States. Leo’s parents had been arrested by Italian Fascist police on December 6, 1943. They were jailed in Varese and then taken to Milan where they were deported by the Germans to Auschwitz concentration camp on January 30, 1944, and killed on February 6. The war ended in May 1945. Leo resumed his education at L'Ecole d'Art in Switzerland. In July 1946, Leo emigrated from Le Chaux-de-Fonds, Neuchatel, Switzerland, to America aboard the Marine Flasher. He settled in New York and his relatives helped him find a job as a designer. Leo had a successful career as a textile designer. He was active in local artists’ organizations and his artwork was frequently exhibited. He later taught painting. He married Rose Baumoel (1917-1992) on January 20, 1947. Rose was a school teacher. The couple had two children. Leo became a naturalized citizen in 1949. Leo, 91, passed away on February 7, 2011.

Archival History

The watercolor painting was donated to the United States Holocaust Memorial Museum in 2012 by Lillian Spiegel on behalf of the Estate of of Leo Yeni.

Acquisition

United States Holocaust Memorial Museum Collection, Gift of the Estate of Leo Yeni

Conditions Governing Access

No restrictions on access

Conditions Governing Reproduction

Restrictions on use

Physical Characteristics and Technical Requirements

Small watercolor and ink drawing depicting two men in blue uniforms holding a textile, possibly a blanket. Same scene also depicted in 2012.483.11. There is a small rectangular piece of paper adhered to the drawing along a portion of the bottom right section.

Genre

This description is derived directly from structured data provided to EHRI by a partner institution. This collection holding institution considers this description as an accurate reflection of the archival holdings to which it refers at the moment of data transfer.