Kulturbund deutscher Juden: correspondence and papers (microfilm)

Identyfikator
WL 575
Język opisu
angielski
Daty
1 Jan 1933 - 31 Dec 1939
Poziom opisu
Zbiór
Języki
  • niemiecki
Źródło
Partner EHRI

Rozmiary i nośnik

1650 frames

Twórca(-y)

Biografia twórcy

The Kulturbund Deutscher Juden was an organisation engaged in promoting culture and the arts among the Jews of Germany between 1933 and 1941. Its purposes were to enable the Jewish population to maintain a cultural life and to alleviate the distress of the thousands of Jewish theatrical artists and musicians who had been thrown out of their jobs when the Nazis came to power. The instigators were Kurt Baumann, a theatre director and Kurt Singer, a neurologist. The self-help organisation, which was funded by members' contributions, sought, in the first instance, to create work opportunities for the unemployed artists. The original title 'Kulturbund Deutscher Juden' had to soon be changed as a name containing the words 'German' and 'Jewish' was politically unacceptable.

After the initial foundation in Berlin, numerous branches emerged in other German towns and cities. By 1935 there were 36 regional and local 'Kulturb?nde' (unions) with approximately 70,000 members. The individual branches were forced to affiliate to the 'Reichsverband j?discher Kulturb?nde in Deutschland' (Reich Assembly of Jewish cultural unions, RJK) by August 1935. The RJK was placed under the aegis of the 'Reichsministerium f?r Volksaufkl?rung und Propaganda' (the Reich Ministry of Propaganda). The performances of these unions, which were censored and monitored by the Gestapo, had to be individually sanctioned by the 'Reichskulturwalter' (Reich Culture Chamber manager), Hans Hinkel. In order to facilitate the activities of the unions the RJK instituted self-censorship. In July 1937 there were 120 independent organisations, including synagogues and cultural groups united under the umbrella of the RJK.

Performances and events of the unions (above all in Berlin) took place on a daily basis. Between 1933-1935 the main venue was the Berliner Theater. The Hamburger Kulturbund was also very active. The programme included theatre and and opera performances, concerts, art, cabaret, film shows, lectures, and exhibitions. In order to ensure cultural segregation, non Jews could neither perform at nor attend these events. The works of German authors and composers could not be performed.

After the November pogrom of 1938 most unions were forced to close. Only the Berlin Kulturbund was given the permission by Joseph Goebbels, for propaganda reasons, to remain active. In 1939 the RJK was wound up and in its place the 'J?dische Kulturbund in Deutschland e. V.', formed of the remnants of the Berlin Kulturbund, took responsibility for and organised all Jewish cultural performances thereafter. The emigration of many important Jewish artists had a detrimental effect on the quality and quantity of subsequent events. The union was finally closed down on 11 September 1941 by the Gestapo and many of its members and officials, including the founder, Kurt Singer, were deported and murdered.

Przejęcie

Jewish Central Information Office

Zakres i treść

Original correspondence between the Polizeipr?sident of Berlin and the KBDJ concerning all the activities of the organisation, eg. theatrical performances, engagement of the actors, venues etc, 1933-1935; forbidden Jewish texts including essays, lectures, poems, play scripts, short stories, anecdotes etc; general file containing programs pamphlets, correspondence between KBDJ and Staatskommisar, also J?discher Kulturbund, Berlin, 1938-1939; Kulturbund correspondence with groups, members, lawyers, Nazi authorities (Blank and Hinkel), reports and 3 copies of the Monatsbl?tter, 1933-1935; JKB Orts and Landesgruppe (except Berlin): mainly correspondence, pamphlets, programmes and other documents of the organisation in the different cities viz: Hamburg, Breslau, Frankfurt, Leipzig, Dresden, Hildesheim, Kassel, Bayern, Erfurt, K?nigsberg, Mecklenburg-L?beck, Oberschlesien, Ost-Westfalen, Rhein-Ruhr, Schwarzwald, Stettin, Wien.

Sposób uporządkowania

Chronologically by material type.

Warunki decydujące o udostępnieniu

Open

Warunki decydujące o reprodukowaniu

Copies can be made for personal use. Permission must be sought for publication.

Charakterystyka stanu fizycznego i wymagań technicznych

Microfilm

Pomoce informacyjne

  • Description exists to this archive on the Wiener Library's online catalogue www.wienerlibrary.co.uk.

Istnienie oryginałów i miejsce ich przechowywania

  • Wiener Collection, Tel Aviv University, Israel.

Informacje dotyczące procedury

  • Entry compiled Howard Falksohn

Ciała zbiorowe

Tematy

Miejsca

Niniejszy opis pochodzi bezpośrednio z usystematyzowanych danych dostarczonych EHRI przez instytucję partnerską. Instytucja przechowująca zbiór uznaje ten opis za dokładne odzwierciedlenie zasobów archiwalnych, do których odwołuje się w momencie przekazywania danych.